Vienna - Attractions
The huge Hofburg (Imperial Palace) is an awesome repository of culture and heritage. The Habsburgs set up house here for more than six centuries, periodically adding new sections to create the current jumble of styles and massive dimensions.
The oldest part is the Schweizerhof (Swiss Courtyard), dating from the 13th century and named after the Swiss guards who used to protect its precincts. The most active phase of building was carried out from the second half of the 19th century to WWI. The curvaceous Neue Burg, from which Hitler addressed a rally during his triumphant 1938 visit to Vienna, dates from this time.
The 22 rooms in the Kaiserappartements (Imperial Apartments) are packed with all the fine furniture, tapestries and bulbous crystal chandeliers you'd expect. The sheer wealth exhibited in the Schatzkammer (Imperial Treasury) collection of crown jewels is staggering: one room contains a 2860-carat Colombian emerald, a 416-carat balas ruby and a 492-carat aquamarine. The religious relics include supposed fragments of the Cross, a nail from the Crucifixion and a thorn from Christ's crown.
The complex is rich in museums: the Sammlung Alter Musikinstrumente (Collection of Ancient Musical Instruments), exhibiting instruments of all shapes and sizes; the Museum für Völkerkunde (Ethnological Museum), with displays on non-European cultures; and the Albertina, a famous and extensive collection of graphic arts. The Gothic Burgkapelle (Royal Chapel) is where the Vienna Boys' Choir sings at Sunday Mass.
If you're an art buff don't miss the Kunsthistorisches Museum, one of the finest in Europe. The Habsburgs loved to collect, and many goodies found their way back to Vienna from their extensive territories. It's impossible to see the whole museum in one visit, so plan ahead or expect to indulge in repeat excursions.
Rubens was appointed to the service of a Habsburg governor in Brussels, so it is not surprising that the museum has one of the best collections of his works. The collection of paintings by Pieter Bruegel the Elder is also unrivalled.
The works by Canova, Vermeer, Dürer, Rembrandt, Raphael, Van Dyck, Cranach, Caravaggio, Canaletto and Titian aren't bad and there are extensive collections of Egyptian, Greek and Roman artefacts, and sculpture and decorative arts covering the Austrian high baroque, Renaissance, mannerist and medieval periods, including Cellini's famously over-the-top salt cellar.
The building itself has some delightful features. The murals between the arches above the stairs were created by three artists, including a young Klimt (northern wall), painted before he broke with classical tradition.
This sumptuous baroque palace (1700) is one of Vienna's most popular attractions. It has 2000-rooms-worth of imperial splendour (of which 40 can be visited), complete with a classically landscaped garden. Additional attractions (with separate entrance fees) include a maze and the world's oldest zoo.
The pinnacle of finery is reached in the Great Gallery. Gilded scrolls, ceiling frescoes, chandeliers and huge crystal mirrors create the effect. Numerous sumptuous balls were held here, including one for the delegates at the Congress of Vienna (1814-15).
The Mirror Room is where Mozart (then six) played his first royal concert in the presence of Maria Theresa and the royal family in 1762. His father revealed in a letter that afterwards young Wolfgang leapt onto the lap of the empress and kissed her.
The Round Chinese Room is over the top but rather ingenious too. Maria Theresa held secret consultations here: a hidden doorway led to her adviser's apartments and a fully laden table could be drawn up through the floor so the dignitaries could dine without being disturbed by servants.
Spanish Riding School
The prancing Lipizzaner stallions strut their stuff in the opulent surrounds of the Hofburg's Winter Riding School. The stallions perform an equine ballet to a program of classical music, part of a long-established Viennese institution that's truly reminiscent of the old Habsburg era. Pricy, but worth it for horse lovers.
The breed was first imported from Spain (hence 'Spanish') by Maximilian II in 1562, and in 1580 a stud was established at Lipizza (hence 'Lipizzaner'), now in Slovenia. The mature stallions are all snow-white (though they are born dark) and the riders wear traditional garb, from their leather boots up to their bicorn hats.
Tickets to watch them train can be bought on the day at gate No 2, Josefsplatz in the Hofburg. The stallions go on their summer holidays (seriously!) to Lainzer Tiergarten, west of the city, during July and August. They can be seen training for much of the rest of the year (except Christmas to mid-February), though they are sometimes away on tour.
The incredible latticework spire of this Gothic masterpiece is a focal point for all visitors. The dominating feature of the church is the skeletal 136m (446ft) Südturm, or south tower; nicknamed 'Steffl', it has a cramped viewing platform but is worth an elbow or two to get a glimpse of the enchanting postcard views of Vienna.
The church was re-created in Gothic style at the behest of Habsburg Duke Rudolf IV in 1359, who laid the foundation stone and earned himself the epithet of 'The Founder' in the process.
Südturm took 75 years to build and was to be matched by a companion tower on the north side, but the imperial purse withered and the Gothic style went out of fashion, so the half-completed tower was topped off with a Renaissance cupola in 1579. Austria's largest bell, the Pummerin ('boomer bell'), was installed here in 1952.
A striking feature of the exterior is the glorious tiled roof, showing dazzling chevrons on one end and the Austrian eagle on the other; a good perspective is gained from the northeast of Stephansplatz. The cathedral suffered severe damage during a fire in 1945, but donations flowed in from all over Austria and the cathedral was completely rebuilt and reopened in just three years.